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Corsets then and now
Jasmina Al-Qaisi, Alexandra Ivanciu,
Aurora Kiraly, Jolanta Nowaczyk, Spot the Women!
11 Dec 2020 - 07 Feb 2021
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Spot the women!
Where is She?, 2020
Info point: Elena Popea.
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Within the Héroïnes series, I cite the works of important modern and contemporary female artists and regardless of the medium used when they were previously done, I translate them into a series of sketches painted on notebook pages, put on knife boads. It is a personal selection, based on works by female artists whose oeuvre, process and practices influenced my artistic choices made in the last couple of years.

The work is presented through ten pieces each time - each selection is different and doesn’t represent permanent and conclusive choice. Other works are continually integrated into this sketch archive, as this is an in-progress project. Each time the work is displayed in an exhibition, the selection reflects the choice made in that specific moment.
Király Aurora
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HÉROÏNES, 2015 After Sonia Delaunay. Couverture de Berceau, 1911​
HÉROÏNES, 2020 After Lygia Clark, Abyssal mask with eye-patch_1968
HÉROÏNES, 2020 After Martha Rossler, Semiotics of the Kitchen, 1975
HÉROÏNES, 2015 After Francesca Woodman, ”then at one point i did not need to translate the notes; they went directly to my hands,” 1976
HÉROÏNES, 2020 After Sherrie Levine, untitled (Presidential Collage 4), 1979
HÉROÏNES, 2020 After Diane Simpson, Underskirt_1986
HÉROÏNES, 2018 After Pipilotti Rist_Ever Is Over All, 1997
HÉROÏNES, 2013 After Kiki Smith_Ginzer, 2000
HÉROÏNES, 2015 After Martha Wilson,Name≠Fate, 2009
HÉROÏNES, 2013 After Marina Abramovic, The Artist Is Present, performance, 2010
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Király Aurora
HÉROÏNES, serie, 2013-2020
Acrilic pe hârtie montate pe tocătoare de lemn
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"This project continues Héroïnes’ endeavours, only this time it is based o poses of feminine silhouettes selected from the contemporary dance shows of artists* which forced the creative boundaries - either conceptually or by the way they used motion and the body, or artists which have been forgotten, whose contribution is underrated. The silhouettes are made out of colored felt and where the heads are situated, there are self portraits of the artist. *Quoted artists: Mary Wigman, Meredith Monk, Lucinda Childs, Yvonne Rainer, Marie Chouinard, Mette Ingvartsen, Mette Edvardsen

The modules of the same installation are exposed under a different shape at Zina Gallery, through the reconfiguration of the same silhouettes taking the form of a sculpture-installation, where the characters are piled one upon another - a pile of skins, clothes, identities - a familiar domestic structure created by taking off our clothes in a sloppy manner, while at the same time letting go of many of the social masks which we wear everyday. "
Király Aurora
Király Aurora
50s sau Soft Despair, 2020
Pâslă, bumbac
Al Qaisi Jasmina
Bine Biene, 2020
Instalație sonoră
“The exhibition titled Sink or Swim was an attempt to reconstruct an event that never happened. Exactly 50 years ago, during the Wrocław ’70 Visual Arts Symposium [...] Like most other ideas submitted during the Symposium, her Spatial Composition – Dynamic would become an example of impossible art.”
Jolanta Nowaczyk
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“After many discussions, experiments and attempts to find a feasible solution, it turned out that the idea developed 50 years ago cannot be put into practice. Thus, the original purpose of the meeting – preparing the “impossible” project for implementation – gradually evolved into an intergenerational encounter of artists born 60 years apart, reflecting on success and failure in art.”
Jolanta Nowaczyk
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Jolanta Nowaczyk
Sink or Swim, 2020
Instalație video, serie fotografii documentare, în colaborare cu Anna Szpakowska-Kujawska
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Alexandra Ivanciu
Embodying Herstories, 2017
Instalație video
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